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David Harper

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E arly success in
New Zealand as an aspiring concert pianist led to further study at the
Royal College of Music in London, funded by scholarships from the Arts
Council of New Zealand and the Royal Schools of Music. However, an
overwhelming passion for the lyric arts very soon eclipsed any solo
piano ambitions, and within a few years of leaving college David had
fulfilled his dream to work exclusively with singers.
Four years spent on the music staff at
English National Opera in London provided the invaluable experience of
working with all voice types in a broad range of operatic styles, but
eventually he resigned in order to launch a freelance career.
Invitations to perform with a wide variety of singers on the recital
platform followed in quick succession. BBC studio broadcasts, recitals
at the Wigmore Hall and many other engagements throughout the British
Isles and across Europe soon gained for him a glowing reputation as a
singers' accompanist of rare sensitivity and support.
In addition to his prolific performing
activities, a deep interest in vocal technique and performance style has
led to the development of an immensely successful vocal coaching
practice. David's wide-reaching reputation in this field centres around a
thriving London-based studio where his client list includes young
aspiring professionals from all points of the globe as well as numerous
prominent international artists. Many of the latter have invited him to
collaborate in recital at such prestigious venues as the Edinburgh
Festival (Scotland), Wexford Festival & Concert Hall/Dublin (Ireland),
Roy Thompson Hall/Toronto & Centre des Arts/Montréal (Canada), La Monnaie Opera House & Palais des Arts/Brussels (Belgium),
Concertgebouw/Amsterdam (Holland), Salle Gaveau & Châtelet/Paris
(France), Chopin Festival/Valldemosa (Spain), Berwaldhallen &
Konserthuset/Stockholm (Sweden), the Hong Kong, New Zealand, and
Adelaide International Arts Festivals, Tsuda Recital Hall and Suntory
Arts Centre/Tokyo & Minato Mirai Arts Centre/Yokohama (Japan),
Performing Arts Centre/Seoul (Korea), and National Concert Hall/Taipei
(Taiwan), to name but a few.
CD recordings include 10 Volumes in an
on-going series entitled Il Salotto (The Salon) for Opera Rara London
which explores the extensive but hitherto neglected repertoire of solo
songs and vocal ensembles with piano accompaniment, specifically
composed by such mid 19th century composers as Mercadante, Rossini,
Pacini, Donizetti, Verdi, Balfe, Gabussi, Costa, Meyerbeer, Mayr etc for
performance in the private salons of that era.
Also recently released by Trust
Records New Zealand are Elegy. A Recital of English Song with
Paul Whelan, Canciones Españolas with Deborah Wai Kapohe and Franz Liszt
Songs with Keith Lewis.
Recent and forthcoming engagements
encompass recitals in Brussels, London, Paris, Lille, Amsterdam,
Rotterdam, Stockholm, Frankfurt, Geneva, Japan, India (Bombay),
Australia (Recitals at the Australian Club & Hunters Hill Music Club, Musica Viva Tour with Barbara Bonney), New Zealand (Gisborne, Wanganui,
& Tauranga Festivals), a Gala Concert at Buckingham Palace to celebrate
Opera Australia's 50th Anniversary, as well as coaching commitments in
Sweden, Norway, France, Germany, Japan, Singapore, Malaysia, New
Zealand and a continuation of his twice-yearly Guest Coaching
engagement at Opera Australia in Sydney - courtesy of the Johnson
Bequest.
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