Singer comes full circle in Australian Singing Competition

It was just 20 years ago that a very young Fiona Janes took out the top prize – the Marianne Mathy Scholarship - in the Australian Singing Competition.  Now well established on the opera and concert stages of the world, Fiona will this year be on the other side as National Adjudicator, chairing the judging of the 2006 Mathy Awards for classical singers under the age of 26.  A past winner as National Adjudicator is an exciting ‘first’ in the 25-year history of this prestigious Competition.

Fiona was working in the administration of The Australian Opera (now Opera Australia) when she first competed in the Mathy Awards, amazing fellow-workers, none of whom knew she had ‘a voice’.  Two years after taking out the Encouragement Award, Fiona was the overall winner.  She subsequently joined the national opera company as a Young Artist and quickly progressed to performing major roles such as Dorabella in Così fan tutte and Cherubino in The Marriage of Figaro to warm acclaim.  In 1991 she was awarded the highly respected inaugural Remy Martin Scholarship, voted by her colleagues, and this enabled her to travel overseas.

Fiona soon established a successful international career with engagements at many of the major opera companies in Europe and the UK.  She has amassed an impressive and versatile repertoire, but is perhaps best known to Australian audiences as La Cenerentola  - a role she made her own.

In concert Fiona has performed with several of the world’s top orchestras and has appeared at international festivals including the Edinburgh Festival.  She has recorded on Naxos (Meyerbeer’s Semiramide and Stravinsky’s Pulcinella), ABC Classics (Mozart Bicentennial Celebration), and can be seen on video in Opera Australia’s Così fan tutte and Don Giovanni). 

Most recently in Australia Fiona has performed the role of Adalgisa in Norma  (Opera Australia and West Australian Opera – 2004), featured in the 2005 New Year’s Eve Gala at Sydney Opera House and is currently delighting Sydney patrons with her Mistress Quickly in the OA season of Falstaff.

Fiona’s success will serve as a wonderful inspiration to aspiring young singers wishing to enter this year’s competition.  The experience is valuable for all singers, as well as the select few who will ultimately reap the more tangible rewards on offer.

Interested singers should visit the ASC website (www.aussing.com.au) for details and access to the 2006 Entry Form which will be available in March.

 

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